Showing posts with label ishirō honda. Show all posts
Showing posts with label ishirō honda. Show all posts

Wednesday, December 25, 2024

別れの茶摘歌 / Wakare chatsumi no uta / A Tea-Picker's Song of Goodbye (1957)

Release date: July 2nd 1957 (first film), August 25th 1957 (second film)
Director: Ishirō Honda
Studio: Toho
Cast: Yoshio Kosugi, Chiyoko Shimakura, Chikage Ogi, Fumiko Honma, Takashi Ito, Tomonosuke Yamada, Rieko Sanjo, Michiko Tsuyama, Akihiko Hirata, Kunio Otsuka, Sen Wada, Hiroshi Koizumi (second film only), et al
Availability: No known streaming or home media release. Infrequent screenings.
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Actually, no, I'm not done looking at obscure Ishirō Honda films, thanks for asking. Happy Honda-days.

Like A Rainbow Stays in My Heart, this is a duology, and this post will cover both films. The second one, subtitled The Woman I Called Big Sister [お姉さんと呼んだ人 / Onesan to yonda hito], was not released concurrently with the first but came out a over a month after it. So a theater-goer in 1957 could have seen A Tea-Picker's Song of Goodbye on July 2nd, gone to see both parts of A Rainbow Stays in My Heart a week later, but had to wait over a month for the second part of A Tea-Picker's Song of Goodbye to come out.

massive 3.3mb image for your delectation

From what I can gather, these are largely a vehicle for enka singer Chiyoko Shimakura, who plays the lead in the first film but not the second. Both films were shot simultaneously, but the second is more of a companion piece than a direct sequel, and follows a different character from the first film. A synopsis of both can be found on Kinenote, but really, there's not a ton to summarize, it doesn't seem terribly deep. Hirata is in both films, and plays the elder brother of the character who is present in the first film but becomes the protagonist in the second. All the information I can find about his character is that he has arranged a marriage for his sister and doesn't like that she wants to date somebody else instead. The lead actress in the second film, Chikage Ogi, was a Takarazuka actor for a while and later became a politician.

from part II

Shimakura also recorded a song for the soundtrack, which was released as a single on Columbia Records, with Kikue Hanamura and Masao Kato singing "Chakkiri Hayashi" as the B-side. This isn't currently for sale, but one sold online four years ago for ¥1400 (like $10). You can listen to it here.

I may buy this.

Some links to further material:
  • This Chiyoko Shimakura fanblog has some images from the movie, but god knows how this person got those pictures since this has no official or unofficial release.
  • Sheet music for the above-mentioned song, if you want to pay ¥220 for it. (Less than $2.)
  • IMDb has some more images that look to me like photos of a television screen, which leads me to believe this has been aired on TV at some point.
  • More pictures from part I.
  • More pictures from part II.

Tuesday, December 24, 2024

わが胸に虹は消えず / Wagamune no niji wa kiezu / A Rainbow Stays in my Heart (1957)

Release date: July 9, 1957
Director: Ishirō Honda
Studio: Toho
Cast: Akira Takarada, Momoko Kōchi, Akemi Negishi, Ken Uehara, Mieko Takamine, Tatsuyoshi Ehara, Yoko Sugi, Yoshio Tsuchiya, Hisaya Itō, Akihiko Hirata, Shōichi "Solomon" Hirose et al
Availability: No internet streaming or physical media release. Infrequent screenings.
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Today we're going to look at Ishirō Honda's A Rainbow Stays in My Heart duology. Because I said so.

image not mine - wish I owned this, but I don't

This is, depending on who you ask, either a two-part film or a film and its sequel, which are each under an hour long and were released to theaters on the same day. The cast is stacked, obviously: most of the Godzilla folks, King Ghidorah himself ("Solomon" Hirose), many other Toho regulars, and a Takamine - what more could one ask? (To actually be able to obtain this movie on home media, for one, but that's another story.)

The film's Wiki page states that it was based off of a popular NCB (Nippon Cultural Broadcasting) radio drama, and that the film/s were based on its original story by Takayuki Yamada and Seiichi Yashiro. Yamada would go on to work in jidaigeki television up until the 1990s, and Yashiro had an extensive background in writing for plays and dramas (and also had seven ribs removed, apparently). The story was adapted by Tokuhei Wakao, who I can't find much information about.


You can find a decent enough plot summary by searching this up on Kinenote. It's a melodrama: everybody is in love, various events keep them from being happy together, including many societal mores (this is Honda after all) such as one of the characters having been born from her mother's affair with another man. (Hirata plays a company president who is in love with the protagonist's sister.) The synopses that I've found specify that this is a melodrama centered around misunderstandings.

Some links to further materials:
  • Here are some nice behind-the-scenes photos of Honda on set. 
  • Toho Kingdom has a healthy selection of screenshots from both films (part 1)  (part 2). Prints of the film were obviously digitized at some point, otherwise those screenshots wouldn't have been able to be taken, but this movie has no online streaming or physical release, so I have no idea where those come from. It is possible that it was broadcast on digital TV at some point but I've found no record of it.
  • Here is a blog post (in Japanese) from someone who appears to have gotten a hard copy from "a collector friend" (deeply unfair; wish I had a "collector friend"). They colorized their screenshots for some reason.

Friday, October 4, 2024

The H-Man Appreciation Post (Halloween Special) [美女と液体人間]

What do I do for the Halloween season as a horror movie lover running a fansite about somebody who wasn't really in any horror movies? I talk about some horror-adjacent movies, I guess.

I'm going to structure this the same way I structured my Sanjuro post: since most of you have probably already seen The H-Man, I'll focus less on the film itself and more on things like merch, international releases, and other stuff that will hopefully be new to at least some readers. I would argue that The H-Man is the strongest contender for a horror label in the Transforming Human series, as the transformed humans in this film bear very little resemblance to humans anymore, whereas the antagonists of Secret of the Telegian and The Human Vapor do retain their human form.

This will be the first in a series. Throughout the month - in addition to regular, non-themed posts - I'm also going to cover Legend of the Cat Monster and maybe some Saturday Wide Theater stuff if I can find enough information about it. (I personally consider Godzilla a horror movie, but that's fairly controversial.) There's also episode 20 of Operation: Mystery, which is arguably a horror show more often than not, but I am currently unable to talk about that for secret reasons. (Edit: The secret reasons were that I was in the middle of subtitling it.)


The H-Man was released to Japanese theaters on June 24th, 1958. It shares a lot of its DNA with Godzilla, having also been directed by Ishirō Honda and including explicit references to the Lucky Dragon no. 5 incident, but whereas Godzilla presents nuclear testing and weaponry giving rise to an external threat, The H-Man looks at the possibility of humanity itself becoming infected by the aftereffects of nuclear power. Honda visited Japan's first nuclear reactor (the now-defunct JRR-1) and interviewed a scientist from the University of Tokyo's nuclear science department as research for the film.

It's one of my personal favorite tokusatsu movies. It's entertaining, fast-paced, and genuinely scary at times, but it also has that Honda introspection that makes it stick in your brain long after watching it. I talk about it on my film review blog here.

The film was actually based on a story by a contracted Toho actor, Hideo Unagami, but Unagami passed away the year prior to filming. Unagami would write scripts on the side and bring them to Toho's planning department, and got the idea for a story about a new human born from the radiation of a hydrogen bomb during filming of The Mysterians. Takeshi Kimura took Unagami's manuscript and finalized it into a script for The H-Man.

As per Kenji Sahara, the climax of the movie was filmed in an actual sewer and apparently smelled as bad as one would expect. (I always get a kick out of seeing Akihiko Hirata hanging around down there in a plastic jumpsuit with a full suit and tie under it.)

American lobby cards for this film fetch semi-ridiculous prices, for some reason.

The film was first screened in American theaters a little less than a year after its original release, on May 28th, 1959. Columbia Pictures handled the release and surprisingly they still retain distribution rights to the film to this day, after having renewed the license in 1987. I haven't seen the Columbia dub, but as I mentioned in my review, it apparently removes all mention of the "H-Men" retaining their human memories after they've been transformed, which, to me, ruins a lot of the film's impact. From what I understand the American cut also guts the special effects to a large extent. You can read more on the differences between the two cuts of the film here.

Other theatrical releases of the film extended to twelve more countries over the next four years.

West German poster - Google Translate says the title is "The Terror Creeps Through Tokyo"

French poster included with the leaflet inside a Japanese laserdisc release of the film

Speaking of fetching insane prices, there is a sequel manga that was released shortly after the film itself. This has been translated in full over on Toho Kingdom. It isn't fully scanned, but the translation does include a selection of images from the manga, and you can check out some more on this Mandarake listing. The protagonist is a youngish boy as per shounen manga tradition, but Chief Inspector Tominaga actually does have a decent role in it. There's also baseball, and a white guy with a fearsome mustache.

Nicholas Driscoll from Toho Kingdom apparently bought this for $800. I feel solidarity with him as I myself have done some questionable spending lately.

There is technically another manga, but I don't think you're ready for it. It appeared in the January 1971 issue of Saturday Manga. The best I can figure, a man drinks some kind of whiskey that H-Man-itizes him, a woman kisses him and somehow... swallows him... and then coughs him out... but it all turns out to be a dream sequence in the imagination of a woman who is being given CPR after nearly drowning?


Let's move on to merchandise... if you really, really need your own liquid human, you have some options. CAST has, of course, produced an ornament of one of them, which comes packaged with the poor frog who gets liquified in the film:


That's the deluxe version, though. If the frog weirds you out, there is a version with just the human.

Hang him on your Christmas tree. You must.

There are also more H-Man sofubi than I expected. There exists a possibly unlicensed garage kit that comes not only with a humanoid H-Man but also one of the dancers in mid-H-Man-ification:

This picture really gives off a vibe, doesn't it
 
Or you can get a more normal-looking, run-of-the-mill (and licensed) sofubi that you don't have to assemble and paint yourself.



We're going to end our H-Man journey here, since there's not a lot out there in the way of merch and fun stuff. I think it would be cool if somebody like Super7 did Transforming Human figures, but that feels like it's probably never going to happen.

You can watch The H-Man right this instant on various streaming services (Tubi, Amazon Prime, etc), but unfortunately all legal online streaming platforms have the shortened English dub. However, Columbia Pictures' "Icons of Sci-Fi Toho Collection" DVD, which packages this film with Mothra and Battle in Outer Space, appears to include both the original and the dub, and is pretty cheap and easy to find secondhand. (Interestingly, the back of the box covers all its bases by referring to Ishirō Honda using both his real name AND "Inoshiro".) Mill Creek and Eureka have released it on DVD with subtitles as well and both times it is packaged with Battle in Outer Space.

Tune in next time for more vaguely spooky films...